Sajibu Cheiraoba: The Traditional New Year Festival of Manipur

Sajibu Cheiraoba is the traditional New Year festival of the Meitei community in Manipur, India. Celebrated on the first day of the Sajibu month in the lunar calendar, it marks the beginning of a new year with cultural and religious significance. The festival is observed with grand festivities, prayers, and family gatherings, symbolizing purification and renewal.

Historical and Cultural Significance

The term “Sajibu” refers to the first month of the Meitei lunar calendar, and “Cheiraoba” translates to ‘New Year.’ The festival is deeply rooted in the indigenous Sanamahism religion of the Meiteis and reflects their age-old traditions. According to historical beliefs, the festival dates back to the ancient rulers of Manipur who marked the beginning of the year with rituals and prayers dedicated to Lainingthou Sanamahi, the household deity.

Sajibu Cheiraoba is also considered a time for spiritual renewal, with people praying for prosperity, good health, and happiness. It is believed that on this day, the deities descend to bless their devotees, making it an auspicious occasion for religious observances.

Rituals and Celebrations

The celebration of Sajibu Cheiraoba includes a series of customs that bring families together and emphasize gratitude and devotion.

1. Cleaning and Decorating Homes

Before the festival, households engage in thorough cleaning and decoration. People believe that cleaning their homes removes negative energy and paves the way for good fortune in the coming year.

2. Preparing Festive Meals

A significant part of the festival is the preparation of a special meal. Families cook traditional dishes, including various vegetable delicacies, rice, and fish. Some of the popular items prepared include iromba (a mashed vegetable dish with fermented fish) and ooti (a lentil-based dish). Food is first offered to the deities outside the peripherals of the house, with colorful decorations of flowers place on mud constructions, before being consumed by family members.

Offering of food to the deities

3. Offering Prayers to Deities

Devotees make offerings to Lainingthou Sanamahi and other deities at home shrines. Special prayers are held to seek blessings for the family’s well-being and prosperity. Some also visit temples to offer their respects.

4. Hilltop Rituals

One of the unique aspects of Sajibu Cheiraoba is the tradition of climbing nearby hills. After the festive meal, people, especially the youth, climb hilltops to pray and seek blessings for a successful year ahead. This ritual is symbolic of overcoming challenges and reaching new heights in life.

Climbing the hill on the festival of Sajibu Cheiraoba

5. Exchange of Gifts and Visits

On this occasion, families exchange gifts and visit relatives to strengthen bonds. Elders bless the younger generation, and the festival fosters unity and love among family members.

Sajibu Cheiraoba and Its Modern Observance

Over time, Sajibu Cheiraoba has evolved while retaining its traditional essence. While urbanization has influenced the way it is celebrated, the festival remains a cornerstone of Manipuri culture. Social gatherings, community feasts, and cultural programs are organized in different parts of Manipur. Some even celebrate it by sharing greetings and messages through digital platforms.

Apart from Manipur, Sajibu Cheiraoba is also celebrated by Manipuri communities in Assam, Tripura, and other regions where Meiteis reside. It serves as a reminder of their rich cultural heritage and identity.

Sajibu Cheiraoba is not just a festival but a reflection of the Manipuri way of life, emphasizing gratitude, renewal, and spiritual devotion. Through prayers, family gatherings, and traditional rituals, people welcome the new year with optimism and a sense of togetherness. This festival continues to be an essential part of Manipuri culture, preserving its traditions for future generations. 

Benita Laishram: The Rising Star of Manipuri Folk Music

 "Benita Laishram is a gifted folk artist from Manipur, known for her exceptional singing, dancing, and acting skills. Through her artistry, she has become a prominent figure in showcasing the rich cultural heritage of her home state to both national and international audiences."

 

A Trailblazer in Manipuri Folk Music

In March 2024, Benita achieved a significant milestone by becoming the first Manipuri folk singer to participate in Bharat Ka Amrit Kalash, India's premier folk song competition. Organized by Doordarshan Kendra and supported by the Ministry of Arts and Culture, this event celebrated India's diverse musical traditions. Benita’s mesmerizing performances, blending traditional Meitei music and dance, captured the hearts of audiences across the country. Despite the challenges of ongoing conflicts in Manipur, she remained committed to her mission of preserving and promoting the cultural legacy of her homeland.

A Passion for Music from an Early Age

Benita’s journey into the world of music began in her childhood. She received her initial training in Manipuri sankirtan songs under her first mentor, Senjam Shila, while she was still in the seventh grade. Her passion for the performing arts led her to pursue a diploma at the Jawaharlal Nehru Manipur Dance Academy. Currently, she is furthering her expertise by pursuing a master’s degree in dance at Manipur University. Her dedication to traditional folk music and dance has been unwavering, even as she navigates the challenges faced by artists from conflict-ridden regions.

Taking Manipuri Folk Music to the Global Stage

Benita’s influence extends beyond India. In January 2025, she was invited to perform at the India Pavilion during the Global Village event in Dubai. Running from October 2024 to May 2025, this international event celebrates India’s cultural diversity, providing a platform for artists like Benita to share their heritage with a global audience. Her soulful renditions of Manipuri folk songs introduced people from different backgrounds to the unique musical traditions of Manipur.

 

A Torchbearer of Manipuri Tradition

Benita Laishram has become a cultural icon, earning admiration and recognition for her contributions to Manipuri folk music. Her journey from a passionate young artist to an internationally recognized performer is a testament to her resilience, talent, and deep love for her heritage. As she continues to break barriers and bring the beauty of Manipuri folk traditions to the world, Benita remains an inspiration for aspiring artists and a proud representative of Manipur’s rich artistic legacy.

Left: Eningthou Sanajaoba Leishemba. Right: Manipuri folk singer Benita Laishram

Mangka Mayanglambam: The Voice of Manipuri Folk Music

Mangka Mayanglambam

Mangka Mayanglambam is one of the most celebrated folk artists from Manipur, known for her dedication to preserving and promoting the traditional music of her homeland. With her enchanting voice and deep understanding of Manipuri culture, she has become a global ambassador for the region’s rich musical heritage.

A Young Talent with Deep Cultural Roots

Born into a family of artists, Mangka was exposed to traditional Manipuri music from an early age. She trained under the guidance of her father, Mayanglambam Mangangsana, who is a renowned pena (a traditional Manipuri string instrument) player and a significant figure in Manipuri folk music. Inspired by her cultural roots, Mangka embraced folk singing and performance as a way to keep the traditions of Manipur alive.

Her unique ability to blend the ancient khunung eshei (traditional folk songs) with contemporary elements has helped her connect with both older generations who cherish their cultural past and younger audiences eager to explore their heritage in a modern way.

Rising to National and International Fame

Mangka’s soulful and powerful voice quickly earned her recognition across India and beyond. She became widely known through her performances in major national festivals, folk music competitions, and cultural exchange programs. Her songs, which often carry themes of folklore, history, and the beauty of nature, evoke a deep sense of nostalgia and pride among Manipuris.

Beyond India, she has represented Manipuri folk music at prestigious international events. Whether performing in cultural festivals in Southeast Asia or collaborating with global artists, she has consistently showcased the beauty of Manipuri music to the world.

Modernizing Folk Music While Preserving Tradition

What sets Mangka apart is her ability to fuse traditional Manipuri music with contemporary styles. She has collaborated with various artists and music producers to create innovative sounds that remain true to Manipuri roots while appealing to a wider audience. By incorporating elements of folk, fusion, and world music, she has ensured that traditional Manipuri songs do not fade away in the face of modernization.

Mangka Mayanglambam

She is also a key member of Laihui Ensemble, a cultural group dedicated to reviving and promoting Manipuri folk arts. Through this group, she has worked on numerous projects that aim to keep indigenous music alive and introduce it to younger generations.

A Cultural Icon of Manipur

Mangka Mayanglambam has become an icon in Manipuri music, proving that folk traditions can thrive in the modern world. Her efforts in preserving and popularizing Manipuri folk music have earned her widespread acclaim, inspiring many young artists to reconnect with their cultural roots.

As she continues to perform and promote her heritage, Mangka remains a beacon of Manipuri tradition—a voice that carries the soul of her land to audiences across the globe.

Mangka Mayanglambam

Lourembam Bedabati: A Legend of Manipuri Folk Music

Left: Mangka Mayanglambam. Right: Lourembam Bedabati

Lourembam Bedabati is one of Manipur’s most revered folk singers, known for her melodious voice and deep contributions to the preservation of traditional Manipuri music. With a career spanning over four decades, she has played a crucial role in keeping the rich cultural heritage of Manipur alive for future generations.

A Musical Journey Rooted in Tradition

From a young age, Bedabati was drawn to Manipuri folk music, particularly Khunung Eshei—the traditional folk songs passed down through generations. Her dedication and natural talent led her to train under esteemed mentors, where she mastered the art of classical and folk singing. Over the years, her soulful voice and impeccable technique made her a household name in Manipur.

Bedabati’s music captures the essence of Manipuri life, often touching on themes of love, nature, folklore, and spirituality. Her ability to bring emotion and depth to her performances has made her songs resonate with people across generations.

National and International Recognition

As a leading exponent of Manipuri folk music, Lourembam Bedabati has performed on numerous prestigious platforms in India and abroad. Her participation in cultural festivals, government-sponsored music programs, and folk competitions has helped spread the beauty of Manipuri music beyond the state’s borders.

Her contributions have not gone unnoticed. She has received multiple accolades for her role in promoting folk culture, including the Sangeet Bhusan award. These recognitions stand as a testament to her lifelong dedication to preserving and promoting the traditional musical art forms of Manipur.

A Mentor and Cultural Ambassador

Beyond her performances, Bedabati has dedicated much of her career to mentoring young artists, ensuring that Manipuri folk music continues to flourish. Through her teachings, she has inspired a new generation of musicians who are passionate about carrying forward the legacy of Khunung Eshei and other traditional art forms.

Her work has not only preserved Manipuri music but has also introduced it to audiences unfamiliar with the state’s rich cultural traditions. By bridging the gap between past and present, she has cemented her place as one of Manipur’s most influential folk artists.

A Living Treasure of Manipuri Music

Lourembam Bedabati’s impact on Manipuri folk music is immeasurable. Through her exceptional voice, dedication, and commitment to cultural preservation, she has become a legend in her own right. Her legacy continues to inspire aspiring musicians and folk enthusiasts, ensuring that Manipuri folk traditions remain vibrant for generations to come.

As she continues to share her music and wisdom, Bedabati remains a shining example of how folk music can endure and evolve, keeping the spirit of Manipur alive through song.

Lui-Ngai-Ni: The Seed-Sowing Festival of the Nagas

Source: manipur.mygov.in

Lui-Ngai-Ni is a major festival celebrated by the Naga tribes of Manipur and other northeastern states of India. It is an agricultural festival that marks the beginning of the sowing season, celebrated annually on February 15. Recognized as a state festival of Manipur, Lui-Ngai-Ni is a significant cultural and social event where different Naga tribes come together to uphold their traditions and foster unity among themselves.

The festival is a time of joy, traditional performances, prayers for a bountiful harvest, and a display of the rich Naga heritage through dance, music, and indigenous rituals. It has also become an occasion to promote peace and harmony among various Naga communities.

Etymology and Meaning

The name "Lui-Ngai-Ni" is derived from the languages of different Naga tribes:

• Lui (Tangkhul) – Meaning "seed sowing"
• Ngai (Mao) – Meaning "festival"
• Ni (Rongmei) – Meaning "festival"

Together, Lui-Ngai-Ni symbolizes a festival for the sowing of seeds, highlighting its deep connection to agriculture and nature.

History and Recognition

Before the formal recognition of Lui-Ngai-Ni, different Naga tribes celebrated their own individual seed-sowing festivals at different times of the year. However, with a growing desire to unite and preserve their shared cultural heritage, the Naga organizations of Manipur came together in 1987 and decided to celebrate a common seed-sowing festival. In 1988, Lui-Ngai-Ni was officially recognized as a state festival of Manipur. Since then, it has been celebrated annually with great enthusiasm.

Significance of the Festival

Lui-Ngai-Ni is deeply rooted in the Naga way of life and their agrarian society. It serves several important purposes:

1. Agricultural Importance – The festival is a prayer for a good harvest, seeking the blessings of nature and the deities for a prosperous year. Traditional rituals are performed to ensure a successful farming season.
2. Cultural Preservation – It showcases the traditional attire, dances, and music of different Naga tribes, keeping their heritage alive.
3. Unity Among Nagas – The festival acts as a unifying force, bringing together different Naga tribes despite their diverse customs and dialects.
4. Promotion of Peace and Brotherhood – In the backdrop of historical tensions in the region, Lui-Ngai-Ni serves as a platform for fostering peace, mutual respect, and cooperation.

Celebrations and Rituals

Lui-Ngai-Ni is celebrated with grandeur, and the festivities include a mix of traditional, spiritual, and cultural elements. The key highlights of the celebration are:

Source: hellotravel.com

1. Lighting of the Sacred Fire

The festival begins with the lighting of the sacred fire, which symbolizes purification and the beginning of a new agricultural cycle. Tribal elders or priests perform prayers and invoke blessings from ancestors and nature spirits.

2. Traditional Dances and Music

Different Naga tribes present their unique dance forms, accompanied by folk songs and indigenous musical instruments like drums, log drums, and bamboo flutes. These performances depict stories of bravery, love, and nature.

3. Traditional Attire and Ornaments

Naga men and women dress in their finest traditional attire, which includes colorful shawls, beaded jewelry, and feathered headgear. Each tribe has its own distinctive clothing, reflecting its identity.

4. Indigenous Games and Sports

Competitions such as warrior dances, wrestling, tug-of-war, and spear-throwing are organized, showcasing the martial traditions of the Nagas.

5. Feasting and Community Gatherings

A grand feast is arranged, where traditional Naga delicacies like smoked meat, rice beer (Zutho), and bamboo shoot dishes are served. The feast is a symbol of unity and hospitality.

6. Cultural Speeches and Messages of Unity

Naga leaders, elders, and government officials often give speeches emphasizing the importance of preserving Naga culture, promoting unity, and striving for social and economic development.

7. Blessing of Seeds

Farmers bring seeds to be blessed by elders and spiritual leaders. This ritual is believed to ensure fertility, protection from pests, and a bountiful harvest.

Where is Lui-Ngai-Ni Celebrated?

Lui-Ngai-Ni is primarily celebrated in Manipur, especially in areas with a significant Naga population like:

• Ukhrul
• Senapati
• Tamenglong
• Chandel

It is also observed in other northeastern states like Nagaland, Assam, and Arunachal Pradesh, where Naga communities reside.

Lui-Ngai-Ni is more than just a festival; it is a cultural symbol of unity, tradition, and identity for the Naga people. It reflects their deep connection to nature, their communal way of life, and their rich heritage. In a time of rapid modernization, Lui-Ngai-Ni plays a crucial role in preserving indigenous traditions and strengthening the Naga community.

Each year, the festival brings together thousands of people, reaffirming their commitment to their roots while embracing progress and harmony. By celebrating Lui-Ngai-Ni, the Nagas not only honor their past but also shape their future with a sense of pride and togetherness.

Ishanou, The Manipuri Film: A Spiritual Odyssey into Manipuri Mysticism and Identity

 

Source: Film Heritage Foundation

"Ishanou" (The Chosen One) is a 1990 Manipuri film directed by Aribam Syam Sharma and written by M.K. Binodini Devi. The film stars Anoubam Kiranmala as Tampha and Kangabam Tomba as her husband, Dhanabir. It was screened in the Un Certain Regard section at the 1991 Cannes Film Festival and was recognized as a "World Classic" at the Cannes Film Festival in 2023. 

Plot Summary

Set in the serene Manipur valley, "Ishanou" follows the life of Tampha, a young woman leading a contented life with her husband and daughter. Her tranquil existence takes a turn when she begins exhibiting unusual behavior—speaking to flowers, experiencing dizzy spells, and wandering at night. After seeking medical help to no avail, her family realizes that Tampha is responding to a spiritual calling. She eventually leaves her family to join the Maibi sect, a group of priestesses integral to the region's religious rituals. 

Cultural Significance

The film offers an intimate portrayal of the Maibi culture, delving into the rituals and spiritual practices of this matriarchal sect. Through Tampha's journey, viewers gain insight into the Lai-Haraoba festival, an annual event where the Maibis perform dances and songs to appease deities. The narrative juxtaposes the spiritual world of the Maibis with the everyday life of Manipuri society, highlighting the coexistence of the mystical and the mundane. 

Restoration and Recognition

In 2023, "Ishanou" was meticulously restored by the Film Heritage Foundation in collaboration with director Aribam Syam Sharma and the Manipur State Film Development Society. The restoration process involved repairing the original 16 mm camera negative and addressing challenges like graininess and sound quality. The restored version premiered at the Cannes Film Festival's Classics section, reaffirming the film's enduring significance. 

Critical Reception

Critics have lauded "Ishanou" for its honest storytelling and cultural depth. Derek Malcolm of The Guardian praised it as "perhaps the best film in the panorama, largely because it tells a good story with great honesty and lack of guile." David Stratton, writing for Variety, described it as "one of the best Indian films of the past year," noting its potential appeal on the international film circuit. 

Conclusion

"Ishanou" stands as a poignant exploration of personal transformation and cultural identity. Its rich depiction of Manipuri traditions, combined with universal themes of duty and self-discovery, makes it a compelling watch for audiences worldwide.

References:
wikipedia, imdb, filmheritagefoundation

The Lainingthous of Manipur: Divine Kings and Guardians

Symbol of Lainingthou Sanamahi. Source: Wikipedia

    Manipur, a land of rich traditions and spiritual beliefs, is home to a pantheon of deities known as Lainingthous—divine kings and protectors of the land, nature, and its people. Rooted in the indigenous Meitei religion (Sanamahism), these deities play vital roles in mythology, spirituality, and cultural heritage. Each Lainingthou has a unique domain, governing elements such as war, nature, dreams, and cosmic balance.

Let us delve into the world of these celestial beings and explore their incarnations, forms, and significance.

---

Major Lainingthous of Manipur

1. Lainingthou Sanamahi

Sanamahi is the supreme deity of the Meitei people and the household protector. He is often worshipped in private homes, symbolizing ancestral and cosmic energy.

Other Names & Forms:

• Sanamahi Apanba – The creator form.

• Ima Keithel Lairemma – A nurturing aspect.

• Chingkhei Nungnang – The omnipresent cosmic force.

---

2. Lainingthou Pakhangba

One of the most significant deities, Pakhangba is a primordial serpent god and a symbol of kingship. He is believed to manifest in different forms across cosmic cycles.

Incarnations & Forms:

• Taoroinai Pakhangba – An early cosmic form.

• Laishreng Pakhangba – A divine ruler aspect.

• Khamnung Pakhangba – The underworld ruler.

• Meidingu Pakhangba – The historical ruler of the Ningthouja dynasty.

---

3. Lainingthou Koubru

The guardian of the northern mountains, Koubru is associated with protection, wisdom, and nature. He is revered as a keeper of sacred forests and a divine teacher.

Other Names:

• Koubru Chingthou – Lord of the Koubru mountains.

• Eputhou Thangnarel – The wise guide.

---

4. Lainingthou Marjing

Known as the god of war and polo, Marjing is the protector of the northeast and the patron of Meitei Sagol Kangjei (the origin of modern polo).

Alternative Forms:

• Sagol Marjing – The warrior on horseback.

• Marjing Kaba – The divine cavalry leader.

---

5. Lainingthou Thangjing

A revered deity of Moirang, Thangjing is worshipped for prosperity, justice, and protection of the region.

Other Names:

• Eputhou Thangjing – The great guardian.

• Thangjing Ningthou – The divine ruler of Moirang.

---

6. Lainingthou Wangbren

A god of wealth and water, Wangbren is connected to rivers, lakes, and prosperity.

Other Titles:

• Ibudhou Wangbren – The benevolent river guardian.

• Eputhou Pumkhondo – Lord of the water realms.

---

7. Lainingthou Nongshaba (Nongpok Ningthou)

    The protector of the eastern region, Nongshaba is a warrior god who ensures harmony and strength.

Forms & Aspects:

• Eputhou Nongshaba – The storm deity.

• Thangnarel – The fearless king.

---

8. Lainingthou Khoriphaba

    Khoriphaba is the god of dreams, youth, and hunting. His name "Khoriphaba" means "the one who rides a pony (horse) at night," symbolizing his connection to movement, mystery, and adventure. He is depicted as a nocturnal deity, riding a pony in the night.

Incarnations & Names:

• Echousa Khoriphaba – The warrior form.

• Sagolsel Khoriphaba – The polo deity.

• Nongmal Khoriphaba – The dream-giver.

---

Other Lainingthous in Meitei Pantheon

9. Lainingthou Ibudhou Khamlangba

The deity of blacksmiths, metallurgy, and craftsmanship.

Revered for his ability to create weapons, tools, and sacred objects.

Considered the patron god of blacksmiths and artisans in Meitei culture.

10. Lainingthou Loyalakpa

A war deity and protector of warriors.

He is sometimes associated with Marjing, though they have distinct identities.

Worshipped for strength, victory, and military success.

11. Lainingthou Nongyai Ningthou

A lesser-known sky deity who governs celestial events.

Associated with the balance of day and night.

Sometimes linked to agricultural cycles and weather patterns.

12. Lainingthou Angoupasing

The god of the afterlife and reincarnation.

He is responsible for guiding souls after death and determining their next life.

Often associated with the concept of Laiyingthou (ancestral spirits).

13. Lainingthou Langmai Ningthou

A guardian deity of Langmai (Tamenglong region).

Protects the forests and wild animals, often linked to tribal communities.

Sometimes considered a brother to Koubru.

14. Lainingthou Soraren

A solar deity, associated with the sun and its life-giving energy.

Represents the power of illumination, warmth, and vitality.

Sometimes linked with Pakhangba in his cosmic role.

15. Lainingthou Khana Chaoba

A divine warrior believed to protect against evil forces.

Known for his fearless nature and battle skills.

Worshipped in specific clans for his protective blessings.

16. Lainingthou Wangpulen

A deity associated with rivers and underwater realms.

Sometimes connected with Wangbren but is distinct in certain traditions.

Regarded as a water guardian who controls floods and aquatic life.

---

Significance of Lainingthous in Manipuri Culture

    The Lainingthous are integral to Meitei cosmology, rituals, and festivals. They are worshipped in Laibung Shrines, through Maibi dances, and during festivals like Lai Haraoba. Each deity plays a role in guiding the people, protecting nature, and maintaining cosmic balance.

    These divine kings are not merely mythical figures but spiritual entities deeply woven into the identity and history of Manipur. Their legacy continues to shape the religious and cultural practices of the region.

Danube Kangjam: A Journey of Grace, Talent, and Advocacy

Danube Kangjam

    Danube Kangjam, known as Danu, is an Indian model, actress, and social activist from Imphal, Manipur. Below is a timeline highlighting key events in her life and career:

Early Life and Education:

• Date of Birth: Danube was born on April 16, 2000 in Imphal, Manipur.

• Education: She completed her schooling at Shishu Nistha Niketan and Rajkumari Sanatombi Devi Vidyalaya. She pursued a BA LLB degree from Vishal Law Institute under Manipur University and is preparing for the All India Bar Examination (AIBE).

• Sports: Before her modeling career, Danube was a fencing player and represented Manipur at the National Games.

Danube Kangjam

Career Milestones:

• 2018: Danube won the "Graceful Walk" title in the Miss Spring contest during the second edition of the Shirui Lily Festival.

• 2019: She starred in the Meitei language music video "Khoidajei (My Secret Love)," which won the Best Music Video Award at the SKG International Film Festival (SIFF-2019) in Ahmedabad. Danube received the Best Actress Award for her performance in the video.

• 2020: Danube appeared in the films "Leichil Mafol" and "Nurabi the Virgin."

• December 2021: She was crowned the 18th Sunsilk Mega Miss North East, standing out among 47 contestants at the event held at the ITA Cultural Complex in Machkhowa, Guwahati.

• August 2023: Danube served as a judge for the Miss Phek 2023 at the Phek District Beauty Pageant held in Phek town, organized by Vogue Entertainment Nagaland (VEN).

• 2024: She represented Manipur as a finalist in the Miss Universe India 2024 beauty pageant.

  

  Danube Kangjam representing Manipur in Miss Universe India 2024

Advocacy and Social Work:

    Danube is an advocate for various social issues, including cybercrime awareness, LGBT rights, body positivity, and self-acceptance.    

Current Endeavors:

    As of January 2025, Danube continues to be active in modeling, acting, and social activism, inspiring many with her dedication and achievements.

Danube Kangjam

For more updates, you can follow her on Instagram: Instagram

Emoinu or Imoinu: The Goddess of Prosperity and Hearth in Manipur

    Emoinu (also spelled Imoinu) is a revered goddess in the cultural and spiritual fabric of Manipur, India. Deeply rooted in the Meitei tradition, Emoinu is venerated as the goddess of wealth, prosperity, hearth, and domestic well-being. Her worship signifies the harmony between material and spiritual prosperity, emphasizing the sacredness of family, home, and sustenance.

Origins and Significance

    Emoinu is an integral part of the Sanamahism religion, the indigenous faith of the Meitei people of Manipur. She is often compared to Lakshmi, the Hindu goddess of wealth, yet retains a distinct identity rooted in Manipuri culture and traditions. Emoinu embodies the ideals of nurturing and abundance, playing a central role in the daily lives of the Meitei community. Her presence in the household is believed to bring blessings, prosperity, and peace.

Iconography

    Emoinu is traditionally depicted as a serene and motherly figure, often holding a lamp or a cornucopia to symbolize illumination and abundance. She is associated with fire, which signifies warmth, sustenance, and purification. Many Meitei homes have a hearth dedicated to her, reflecting her role as the protector of the home and its provisions.

Worship and Rituals

    Emoinu is worshipped daily in Meitei households, but her annual festival, Imoinu Iratpa, is a grand occasion celebrated with devotion and joy. This festival, typically held in January (on the 12th lunar day of Wakching in the Meitei calendar), involves elaborate rituals and offerings.

The celebration includes:

• Cleaning and Decoration: Homes are thoroughly cleaned and adorned with traditional motifs to welcome the goddess.
• Offerings: Devotees prepare a variety of traditional dishes such as rice, fish, and seasonal vegetables, which are offered to Emoinu on banana leaves or traditional earthenware.
• Lighting Lamps: Earthen lamps are lit and placed in specific patterns to guide the goddess into the home, symbolizing the dispelling of darkness and the arrival of prosperity.
• Community Gatherings: Families and neighbors come together to share meals and stories, reinforcing the sense of community and mutual respect.

Philosophical Significance

    The worship of Emoinu transcends mere rituals and has profound philosophical undertones. She represents the sanctity of home, the importance of nurturing relationships, and the balance between material wealth and spiritual well-being. Her association with the hearth underscores the essential role of food and sustenance in maintaining harmony and prosperity.

Emoinu in Contemporary Times

    In modern-day Manipur, the worship of Emoinu remains a vital tradition. While the state has witnessed rapid urbanization and cultural shifts, Emoinu continues to be a unifying symbol of cultural identity and spiritual grounding for the Meitei people. Her relevance extends beyond religious contexts, reminding people of the values of gratitude, hard work, and the importance of family.

Conclusion

    Emoinu or Imoinu is more than a deity in Manipuri culture; she is a symbol of prosperity, care, and harmony. Her worship reflects the Meitei people's deep respect for their traditions and their understanding of the interconnectedness of material and spiritual life. In honoring Emoinu, the people of Manipur celebrate not just a goddess but the enduring values that sustain and enrich human life.

"Salangthel Village" The Historical site of Kabui Salang Maiba and Khamba Khamnu in Moirang Kangleirol.

    Salangthel Village, nestled amidst the serene hills of Manipur, holds an unparalleled historical and cultural significance. This quaint village is a repository of legends, traditions, and heritage linked to the ancient Kabui Salang Maiba and the legendary tale of Khamba and Khamnu as chronicled in the Moirang Kangleirol.

Historical Significance of Salangthel Village

    Salangthel Village serves as a crucial site in the tapestry of Manipur’s folklore and history. It is often referred to as the dwelling place of Kabui Salang Maiba, a revered figure among the Kabui (Rongmei) people. Kabui Salang Maiba was a sage and seer known for his profound wisdom and spiritual prowess. The village is said to have been a center for rituals and cultural gatherings led by Salang Maiba, whose influence extended across communities, fostering unity and harmony.

The Legend of Khamba and Khamnu

    The village also forms a vital backdrop in the epic tale of Khamba and Khamnu, one of the most celebrated narratives in Moirang Kangleirol—a collection of ancient Manipuri legends. The story revolves around Khamba, a valiant warrior, and his sister Khamnu, who faced adversities with resilience and unwavering determination.

    Salangthel is believed to be one of the places where Khamba sought refuge and spiritual guidance during his trials. The bond between Khamba and Khamnu, characterized by love, sacrifice, and loyalty, resonates deeply within the cultural ethos of Manipur. It is in this village that traces of their struggle and triumph are commemorated, further enriching its historical significance.

Archaeological and Cultural Heritage

    Salangthel Village is dotted with historical sites that evoke the past. These include ancient shrines, megalithic structures, and sacred groves that stand as silent witnesses to the vibrant cultural practices of the region. The village’s landscapes are imbued with legends, where every stone and tree tells a story connected to the lives of its historical figures.

(Photo: iCArious Fall (YouTube)

Google Maps: Click Here

    The community’s traditional practices and festivals reflect the enduring legacy of Kabui Salang Maiba and Khamba Khamnu. Rituals performed in honor of ancestors, the use of indigenous musical instruments, and folk dances are integral to the cultural fabric of Salangthel, attracting both researchers and cultural enthusiasts.

Preservation Efforts

    Efforts are being made to preserve the historical and cultural wealth of Salangthel Village. Local communities, in collaboration with historians and anthropologists, have initiated programs to document oral histories, restore ancient sites, and promote eco-cultural tourism. These endeavors aim to ensure that the legacy of Kabui Salang Maiba and the Moirang Kangleirol legends continue to inspire future generations.

Conclusion

    Salangthel Village is not just a geographical location but a cultural and historical beacon that connects the past to the present. It embodies the spirit of resilience, unity, and cultural pride. The tales of Kabui Salang Maiba and Khamba Khamnu, woven into the fabric of the village, serve as a timeless reminder of Manipur’s rich heritage. As efforts to preserve and celebrate this heritage continue, Salangthel Village stands poised to remain an enduring symbol of the state’s glorious past.

Meitei Yek-Salai Taret

    Lainingthou Atingkok Maru sidaba ama koubana Amata oina mathanta leirengei matamda....

    Lainingthou Salairel sidaba epa, Lainingthou Salairel sidabi ema puthokle makhoi anigi macha shakna oina lainingthou sanamahee kouna chaphu manungda humnigi angang gum saiyonle.....
Lainingthou Sarairel sidaba sidabi anina angang nawa ama fanjare angang adugi maming konjil tukthaba kouwi pa mashak khangi haiduna Pakhangba minglen mingthong fanjakhi....
Salairel sidaba mapuna lai nura taret puthokladuna Ebudhou konjil tukthaba Ebudhou pa khangba pakhang bana lai nura taret pannaduna macha mapal pokhi....

Salai Taret

    Macha sing aduna salai taret oina leikhi:

1. Mangang salai...
2. Luwang salai..
3. Khuman salai...
4. Angom salai...
5. Moirang salai...
6. Khaba Nganba salai..., amadi
7. Sarang leishangthem pokhi....

    Ebudhou Pakhangba gi chada naoda salai taret na kanglei sana leibak asida sandok khi....

Salai Taretki Sagei Masing

    Salai amamamda gi manungda amuk sagei khaidok khi salai khudingmak ki Apungba sagei masing chourakna panjarabada 824 ni.....

1. Mangang salai da 245 sagei...
2. Luwang salai da 104 Sagei.....
3. Khuman salai da 184 Sagei...
4. Angom salai da 95 Sagei...
5. Moirang salai da 98 sagei....
6. Khaba Nganba salai da 39 Sagei...
7. Sarang Leishangthem salai da 59 sagei ni.

    Hairiba salai amamam asigi manungda leiriba sagei mayam asi charou mourou naba yade yek thoknei. Khudam eihak asi luwang yek salai ni aduna luwang salaigi sagei 104 gi manungda leiba sagei singa charou mourou naba lounaba yade haibani ...

***Mathakta panjariba wapham sing asida awat apa asoiba yaorabasu chumthokpiraknaba tanja loujari salaicha punamak yaiphaminnarase 🙏....

Hayum Sidaba lainingthou🙏🙏🙏

Meitei pokpi Ebudhou Ebendhou na yaiphare.

Source: Nongpoknganba Luwangcha (see Facebook Profile)

Facebook Post : Click here

Ebudhou Wangbren amadi Ebendhou Sangnu gi Nungc Waari- Meitei and Anal Khunlen Ancestral Love Story

 Meitei and Anal Khunlen Ancestral Love Story

Pic: Ancient Holy Megalith

Pic: Ebendhou Sangnu (from Anal Khullen)

Waahoudok

        Ngasi di yamna nungsiba Chingmee Ningol oiriba Anal khunlen gi Anal Ningol Ebendhou (Sangnu Lairembi) amadi Tamgi oiba Chingoo Lai Matik mayai Leiba Yamna Sathiba Sugunu Gi Khana Chouba (Ebudhou Wangbren) anigi nungsi wari ching Tam oiriba (Anal furup) Amadi (Meitei furup) anigi wari asi Houjik hourakliba naha sing da lijage. Masi gi wari asi tungi meerol nasu khanghou naba wari asibu nungsirabadi soidana share toubirammu haina thamjari pumnamki maphamda 🙏.

Ebudhouna Khullenda Laakpa

        Adugei Chingoo Lai Khana chouba Wangbren na Taibang meegi Shaklon louduna Sugunu dagi Houjik na Chandel district ki Manung channa leiriba Anal khunlen da khungi kumhei sanaba yengba laklammi maduda Anal khungi Anal meeyam na Mahakpu meenao ama oina uba maram na mahakpu kanano haina hangnarakhi Aduda Ebudhou Mahakna masabu Lamlanba Pakhang amani haina mashak taklaba matungda Anal khungi pakhang sing ga shakhang maikhang nakhi .

Ebudhou Ebendhou Ahanba Mitchanaba

        Shak khang narabada Khunja sing gi khumhei sanariba adu Ebudhou na sum yenglamkhi sum yenglak pada Anal khungi Leisabi Sangnu ukhi Amadi makhoi ani mitchan nakhi mitpham hongba yana daba makhei yengnakhi amadi Sangnu gi chenglou Ningthi jarabi Shaktam ubada Ebudhou apam nungsikhi amadi makhoi ani shakhang maikhang nakhi amadi Makhoi anigi Nungsi naba matou adu ubada Anal khungi Pakhang sing adu khoisao nakhi makhoi na Pakhang gi meetam onduna lakliba Ebudhou bu Sanabada Maithiba pirage haina khannagi khungi Pakhang sing aduna .

        Pakhang sing aduna Ebudhou da Nahak ki Pamjaba masan nadi karino haina hanglak pada Ebudhou na eidi Nung langba masan nana kwai dagi henna pamjei haina khumlak khi.

        Maram asina sana bagi aroiba numit ta nung langba gi masan na ama hapkhi aduda Ebudhou Wangbren yaoba tarammi aduda Anal khungi Masa phaba pakhang Tomkhel kouba ama leirammi aduda Tomkhel na Ebudhou Wangbren bu Chingoo Lai ni khangda bana maram oiraga Nung langba masan na asida eikhoi ani kanana henna sangna langba ngambage yengnasi hairakhi .

Nung Langbada Saanba  Taanaba

        Langna khiba mapham na Chakpi Turel amadi Tuiyang Turel Mapham adu dagi Anal khun Ching mathak adomda langkhat nakhi maduda Anal khun gi Masa phaba pakhang Tomkhel na hanna nung adu langkhi amadi khunja sing adu nasu Tomkhel na mai pakkani haina thaja narammi Ebudhou na magi panli laklabada Mong hadana yum amuk chouba nungjou ama pairaduna langkhat lakhi ching mathakta maduda Anal khungi meeyam tin liba mapham adu lanna paiduna khara lapna takhi khun adugi tinlam liba khunja sing adusu angakpa faonakhi amadi Ebudhou bu angakpa fangna Thagatnakhi shakhang maikhang nakhi khunja sing aduga .

Aduga Ebudhou amadi Tomkhel anina langna khiba nung adu houjik houjik su Anal khunda leiri.

Ebudhouna Ebendhou gi Yumda Yaong Enba

        Nongma khungi pam yamba amada Ebudhou ga Sangnu unakhi Maduda Ebudhou na sangnu bu Ebudhou gi yum oiriba Sugunu da chetlasi haina hairakhi Aduda Sangnu na khumlak khi Ei Emabu yamna nungsi thadokpa ngamloi amadi Mama adunasu Pamlou ubinaba leite Chetkhi ganu haina yarakhide Maduda Ebudhou na lai saroi mayam kouduna khudakta Sangnu gi pamlou adu yangkhi amdi fao hunhanlami aduga pan mairen thoidring su thahanlammi aduda Ebudhou gi angakpa matou sing adu ubada khungi khaja sing aduna Ebudhou ga luhongba yanarakhi Amadi Nongdam bana tambadagi Makhoi ani louna leinakhi amadi Ebudhou Ebendhou sangnu gi mayum da chahi ahum chupna yaong enduna leirakhi.

        Nongma gi matam amadi Ebudhou amadi Ebendhou Sangnu pam yamba chetlam mi aduda Ebudhou amadi Ebendhou Ebudhou gi yum oiriba Sugunu da chetlasi haina taknarammi aduda yanaraduna makhoi ani ahing da Sugunu da leiriba Ebudhou gi yumda laklammi .

Ebudhouna Ebendhou Puduna Sugnuda Hallakpa

        Ebudhou na Ebendhou puraga laklam daida Ebendhou Sangnu na Apok pi emada yum thadok tuna chetlani hairam dabana maram oiraga ahing lakpa aduda khungi khaja sing amadi ema na chetkhiba lambi khang nabani haiduna samda yaoba lasing maphol sing machek machek thadakhi sum thadarak pana lasing loirak labada amuk Sangnu na kari upai sum yenglak pada magi kokyet fee adu amuk machet machet segai suna thadaba hourak khi asum asum lakpana Ebudhou gi mayum oiriba Sugunu yaorakhi .

        Amadi Ebudhou di koiyum lai oibana Ebendhou bu yum changnaba oibaba yanaba Ebendhou gi seklakpa feerol khudingmak louthok khi amadi Masam su kakhi Ebendhou gi kakhiba masam aduna turel da takhi duna turel manungda Nungsam oina houkhi maram adudagi nungsambu Ebendhou Sangnu gi masamni haina ribani ngasi ngasisu. .

        Nongan laba matamda Sangnu gi mama na macha nupi gi khongul leirakhi amadi khunja singda macha ga mayaga ubara haiduna koithi thirakhi khunja sing nasu ude khangde hairakhi Aduda mama na kaptuna koithi thirakhi mapham khuding pamda chetuna mapham Aduda thirak pada lasing machet machet thada ramba adu urakhi lasing machet machet thadariba adugi khongul liduna asum asum lakpada loisan lakhi amuk koiyeng yenglakpada lapna tariba fee machet sing adu amuk urakhi adu dagi mama na fee machet sing adugi khongul liduna amuk makha tana lakhi asum asum lakpana konok eren manak yaorakhi mapham aduda macha nupi gi shet chakhiba fee thoudu nungi mathak taduna leiramba thengnakhi madu ubada mama adu thmoi shokna tengtha duna yam kanna kanna kaplakhi.

Mamaana Machanupigi Manaakta Laakpa

        Macha oiriba Sugunu Ebendhou da mamagi kappa tengtha khol tarabaga Ebendhou Ebudhou da haijakhi ema lakle haiduna aduda Sangnu gi mama na macha nupi bu uba kouba fanglak taba dagi thawai tharage haina thourang tourakhi mama na aduda Ebudhou Wangbren na esing manung dagi faogatlak tuna ema kaplaganu nacha nupi adu esing asigi manungda yam nungaina lei houjik ti nacha nupi ga taibang mee masel unabagum unaba yararoi hairakhi Aduda mama na macha nupi uningi haiduna tengthana kaplakhi maduda Ebudhou na laigi shakti puthoktuna eram phatuna manembok pu Ebudhou na esing manung da pusanlakhi amadi esing manung da leiriba Ebudhou gi sangai sanagi yum sanagi phambal aduda macha nupi Sangnu na Ebudhou Wangbren gi loinabi oiduna phamlaga lemramba adu ujabada yam haraokhi amdi Ebudhou na chatnabi ama oina macha nupi gi mangkat oina wagi utong ama pirakhi mamada aduga asumna hairakhi ema utong asi ema na khul tanna pubiro aduga pan ama sabiro pan adugi manungda changlaga utong asi makhum hangdokpiu utong asigi manung dagi thoklakpa sa San singa potka onnaduna nungaina cha thaktuna leibiu haiduna hairakhi mama da lambida keida khun faodaringei utong asigi makhum hangdokpi ganu ema hairakhi.

Ebudhougi Haraoba Numitta Anal Meeyamna Fee Katpagi Maram

        Mamei thang Mama na chetlam dai matamda fee ama tangdi piningi echa nupi gi hairakhi maduda Ebudhou na asumna hairakhi fee adudi Sugunu gi Wangbren lai harouba matamda katpiu haiduna manembok ta haijakhi.

Mamaana Utong Puduna Hallakpa

        Madu dagi Sangnu gi mama mayum maikei oiriba Anal khun tamna lakhi lakpagi lambida Mama na utong adugi manungda kari yaori yengning mankhiduna hanglubada ahan bada lamyen ama hanna thoklakhi adu dagi amuk khumjan duna sum lakpada amuk kari thoklakpage haiduna hangdoktuna yengkhi mathang mathang lakna lakna maduda lamoak lamhui lamsan na chingba sa makhal suna mathang mathang thoklakhi matungda ching singda magi magi thokpa maromdom leinakhi sa sing adu..

        Madu dagi mama aduna amuk maya nupa amadi macha nupi gi manakta laktuna haijarakhi hi yai chengba utong adu mangkhare amaga amuk pibiu haiduna nijarakhi maduda Ebudhou amadi Ebendhou na utong amaga amuk pirakhi aduga asumna hairakhi ema handak amukti yum yaodaringei utong asi lambida hangdok piganu yumgi yumyai youraga hangbiu haina aduda mama aduna utong adu mayum tanna puduna lakhi amadi yumyaida utong adu makhum hangdokhi maduda yum da loinaba sa San yen na chingba yumsa mayam ama thoklakhi amadi nungaina pangkhi. Anal khungi khaja pumnamak amadi Ebudhou Wangbren gi mapal na Anal khunlen yamna engna chakhong ngahong duna nungaina pangkhi khunja pumnamak..

Houjik Matamda Ebudhou Ebendhou Haraobagi Saktam

        Madugi matung Sangnu gi mama ga loinana Ebudhou Wangbren na hairakhiba adumak Sugunu gi Wangbren gi lai harouba matamda Anal ningol singi natki fee fanek amadi mahei marong purak tuna katkhi amadi masi dagi houdok tuna ngasi faoba ningol oibi nupi singna yum panbada ningol gi feerol pinaba asisu hourakhi hainei asumna asum houjik faobada Sagunu da leiriba Ebudhou Wangbren lai harouba matamda Anal furup oiba khangja singi fidha thari amadi harouba matamda anal singsu laktuna lai harouba saruk yari ngasi ngasisu..

 

• Masini Meitei Amadi Anal furup ani asi meeda natana lai faoba mari matani haibadu. 
• Ebudhou Khana chouba Wangbren na yaiphare. 
• Aroiba oina pumnamak pu Eihakna Nonglukchari yaiphaminnarasi.
• Anal khungi Ebendhou Sangnu lairambi na yaiphare. 

Source: Nongpoknganba Luwangcha (see Facebook Profile)

Facebook Post : Click here

Google Maps: Location 1 and Location 2

Arambai - The legendary weapon of Meitei

 The Arambai is a unique and fascinating weapon that originates from the region of Southeast Asia, particularly associated with the Kingdom of Meiteis (now Manipur). This weapon holds a significant place in history, not just for its distinctive design but also for its cultural and strategic impact.

Origin and Design

The Arambai is essentially a type of dart or javelin, known for its long, slender, and pointed shape. What sets it apart is its ingenious construction and the way it was utilized in warfare. Traditionally, it was crafted from wood, often with an iron tip for added penetration power. The length of an Arambai could vary, but it typically ranged from around six to nine feet, making it a formidable projectile weapon.

Historical Significance

The Arambai gained prominence particularly in the 17th and 18th centuries. It was a favored weapon among the Meitei cavalry, who were renowned for their skilled horseback archery and javelin throwing. The Arambai was ideally suited for swift attacks and skirmishes, allowing riders to unleash a barrage of projectiles while maintaining mobility.

Combat Utility

In battle, the Arambai provided several advantages. Its long reach allowed riders to engage enemies from a distance, minimizing direct confrontation. The sharp iron tip ensured it could pierce armor and inflict significant damage on both infantry and cavalry units. Moreover, its lightweight design made it easy for riders to carry multiple Arambais, enabling continuous volleys during engagements.

Cultural Significance

Beyond its military prowess, the Arambai holds cultural significance in the history of Southeast Asia. It represents the ingenuity and craftsmanship of ancient weapon makers, who developed specialized arms tailored to the region's terrain and combat styles. The legacy of the Arambai continues to be celebrated in modern times, often appearing in traditional performances, art, and historical reenactments.

Legacy and Influence

While the use of the Arambai declined with the evolution of warfare and the adoption of firearms, its impact endured. The weapon's design influenced later developments in javelins and throwing spears, showcasing how innovations from centuries past continue to shape contemporary arms and tactics.

In summary, the Arambai stands as a testament to the rich martial heritage of Southeast Asia, embodying both practical military effectiveness and cultural significance. Its legacy endures as a symbol of innovation and adaptability in ancient warfare.

Ethoi Oinam - Manipuri Traditional Dress 01

 

Model: Ethoi Oinam (Manipuri Film Actress)

Ethoi Oinam, a celebrated Manipuri actress, embodies grace and elegance. Adorned in intricately woven Manipuri traditional dresses, she epitomizes the essence of a Manipuri woman. Her attire not only showcases exquisite craftsmanship but also represents the rich cultural heritage of Manipur's indigenous Meitei community. Through her roles and style, she becomes a symbol of pride, highlighting the beauty and uniqueness of Manipuri traditions. Ethoi Oinam, adorned in these unique and beautiful dressess, stands as a testament to the enduring charm and cultural significance of Manipur, captivating audiences with her gentle yet powerful portrayal of the Meitei people's identity.